By TheBigN
So far, of the shows I’ve watched so far this season (a list which slowly grows the more free time I have and the more interesting statements I hear about it from others), Kotoura-san two episodes in has been the one that’s grabbed me. It helped that I didn’t know anything about the show before hand, as a large part of it is the pathos that they try to induce by quickly dropping misery on the namesake character, and whether or not they’ve done too much with depends on the eyes of the beholder, I guess. While I can easily seem some moments in both episodes so far that could give me a feeling of “they’re trying too hard here” (in episode one, DAT CAT. In episode two, the lonely house as examples), I haven’t come out having that feeling as of yet.
The show’s been trying to advance the idea of ”how someone with psychic powers is ostracized in today’s society” with the heavy dump life takes on Haruka in the first half of the show, as well as how it still affects her (and Yoriko) in episode two, and it’s been effective for me. In fact, I wish they could have been more visceral in some ways, such as actually showing Haruka’s emesis in episode two instead of a discretion shot. If it went that far however, I’d assume many people would be scared off by watching something that intense (might be too serious for something that’s supposed to be a romantic comedy). That being said, it’s hard not to notice that I’m trying to be played like a violin in order to care for Haruka as she comes out of her shell. And it’s pleasant for me that I know this and (so far) I don’t care about that.

So far, it’s hard for me to fault her. Picture by muneyuki: http://www.pixiv.net/member_illust.php?mode=medium&illust_id=32893426
Continue reading ‘Kotoura-san and the Power of Emotional Manipulation, Successful or Not’
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