Kotoura-san and the Power of Emotional Manipulation, Successful or Not

By TheBigN

So far, of the shows  I’ve watched so far this season (a list which slowly grows the more free time I have and the more interesting statements I hear about it from others), Kotoura-san two episodes in has been the one that’s grabbed me. It helped that I didn’t know anything about the show before hand, as a large part of it is the pathos that they try to induce by quickly dropping misery on the namesake character, and whether or not they’ve done too much with depends on the eyes of the beholder, I guess. While I can easily seem some moments in both episodes so far that could give me a feeling of “they’re trying too hard here” (in episode one, DAT CAT. In episode two, the lonely house as examples), I haven’t come out having that feeling as of yet.

The show’s been trying to advance the idea of  “how someone with psychic powers is ostracized in today’s society” with the heavy dump life takes on Haruka in the first half of the show, as well as how it still affects her (and Yoriko) in episode two, and it’s been effective for me. In fact, I wish they could have been more visceral in some ways, such as actually showing Haruka’s emesis in episode two instead of a discretion shot. If it went that far however, I’d assume many people would be scared off by watching something that intense (might be too serious for something that’s supposed to be a romantic comedy). That being said, it’s hard not to notice that I’m trying to be played like a violin in order to care for Haruka as she comes out of her shell. And it’s pleasant for me that I know this and (so far) I don’t care about that.

So far, it's hard for me to fault her. Picture by muneyuki: http://www.pixiv.net/member_illust.php?mode=medium&illust_id=32893426

So far, it’s hard for me to fault her. Picture by muneyuki: http://www.pixiv.net/member_illust.php?mode=medium&illust_id=32893426

One thing that I’ve noted in the past on this blog was the fact that while I don’t mind being emotionally manipulated to care, how it’s done is the important thing. My favorite personal example of how well it worked for me was with Mai-HiME  (to the point where I don’t care about how the ending worked), where I didn’t know how much I cared about the characters throughout their cooking contests, cosplay karaoke, and other hijinks until they were forced into the battle royale that drives the second half of the series. Or in Madoka Magica, where episode 10 was nicely executed in crystallizing Homura’s struggles regarding Madoka’s destiny to the audience. In a more recent example, being disappointed with the ALO arc of Sword Art Online, as there was a strong loss of the urgency and struggle to survive and thrive after the setting changed from the initial premise of the show.  A personal example of how a show doesn’t work for me was with the AIR anime, as I felt brow beaten into caring for Mizusu’s plight (“FEEL SORRY/HAPPY FOR HER, DAMMIT!!“) to the point where any impacts that came at the end came to me as incredibly muted and unsatisfying. Of course, one of the things about this concept is that while the aim is to touch as many people as possible in the right way, each viewer has their own personal preference with how subtle or strong a work has to press to get a genuine reaction. As a result, trying to get the right balance ends up being guesswork to the point where I feel that most shows don’t try to do this. Or maybe shows I watch fail so hard at doing so that I don’t even notice they’re trying to do it, I guess. 😛

For a show like Kotoura-san that has its roots as a 4-koma comedy (which I didn’t know until after the fact), the attempt to go for our heartstrings with Haruka’s “crappy” life and her responses to it have so far hit me harder than most of these works with (karmically?) put upon characters. While what sets off her breakdown and decision to isolate herself from others in the first episode might have been silly ( She shouldn’t have cheated and spilled the beans to start it all off though), the execution wasn’t quite that silly (or maybe it’s just that I’m really bothered by that sort of thing.). The music choices (even the ending music after the shift in tone), the shots of Haruka’s devastated faces, and the choice of when to have her mind read/speak or not makes the moment either that much more powerful, which it did for me, or that much more off-putting depending on who you talk to. And during the fortune-telling confrontation in episode two,  Haruka’s response to Hiyori’s rude thoughts with vomiting was powerful, taking into account both the ostracization she experienced at her previous school as well as her knowledge of the latter’s thoughts regarding Manabe, so far the only person who’s paid interest to Haruka in a positive way)

It’s interesting to know that for some viewers, Haruka’s reaction and the resulting bullying coming from it made it seem to them as if Hiyori was deliberately attempting to invoke that type of physical reaction in the first place. The vomiting itself was an unplanned response,  and the mean trio like all bullies do took that moment outside of the norm and ran with it, but at that time we’ve been caught in that spell of manipulation. Which is why some of us can feel exultant when Manabe sticks up for Haruka, or why some of us can let Yoriko’s manipulation slide because she directly was affected by trauma to someone having psychic abilities in her past too. And while each of these elements have been done before, with probably better writing and execution, as long as we get hooked from the first go, it’s easier to disregard how well things are compared to how well they could have been. Trust  between the viewer and the show has been built, one might say.

I am a little worried that as Kotoura-san continues, that trust will be easily broken, and I’ll lose that quickly invested interest in the show and in Haruka. Partly because as the focus likely becomes more comedic, that emotional play won’t be put at the forefront any more (which can be a good thing, depending on how nicely done the rest of the show will be executed). And partly because of the chance that the emotional investment I’ve begun to have with this show could be decreased or destroyed if the writing doesn’t improve, the execution remains heavy-handed, or something else might make me feel that I’m being forced to care rather than naturally stepping into it. I don’t want to feel like I’ve been taken advantage of, even though others might already be feeling that way. If that does become the case though, I’m hoping for a good return of investment at least.

1 Response to “Kotoura-san and the Power of Emotional Manipulation, Successful or Not”

  1. 1 Indulging this Anime Blog Carnival: On Cheap Tricks | Drastic My Anime Blog Trackback on November 30, 2013 at 11:05 pm

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